That’s evident even in her return to “normal” social media through TikTok her posts just seem light-hearted and happy. Ever a savvy businesswoman, Swift seems to know what she’s doing and she’s taking control of her artistry. Indeed, it signifies a reshaping of the power dynamic, a reclaiming of her own agency. What does all of this mean for her development as an artist? Because these sharply-defined, stylistically bombastic eras have been so characteristic of her career for so long, the fact that she is now blending them together feels like a deliberate change. A master of easter eggs and sneaky surprise releases, Swift could very well be planning to drop “1989 (Taylor’s Version)” and soon, at that. So it wasn’t all too surprising in June when she announced that the next album to be released would be her version of “Red.” Still, there were some pretty confident fan-theories floating around that “1989” would be the next re-release, which are re-entering the general consciousness now that we’ve been gifted “Wildest Dreams”…įans have no idea what she’s going to do next. The release of “Fearless (Taylor’s Version),” rather than her self-titled debut album, signified that Swift would not be going in chronological order for the re-recording process. (Does the woman ever rest? Does her pen ever run out of ink?) On top of the original album’s music, Swift included “from the vault” tracks, which are songs that were written in the “Fearless” era but not released. The first fully re-recorded album was “Fearless (Taylor’s Version),” which came out this past April. Never one to declare defeat, she announced back in 2019 that she would commit herself to re-recording each of those “lost” six albums, in order to fully own all of her music. Instead, she decided to warp the space-time continuum altogether. This whole debacle put an end to her relationship with Scott Borchetta, the CEO of Big Machine Records, and executive with whom she first signed at 14 years old, too.īut despite all the tumult, Swift didn’t allow the timeline of her work to stop moving forward. This shocked the world, and it shocked Swift, too, who went public and said she was not even offered the sale of her masters. Soon after that, Braun sold the masters to someone else in a deal estimated to be worth more than $300 million. Notably, with each album she has forged new musical and stylistic “eras.” But the trajectory of Swift’s career was near-fatally threatened in June 2019, when entertainment mogul Scooter Braun acquired Big Machine Records (the label with which she released her first six albums), and, therefore, the masters of those albums, too. Swift has made an illustrious career with her skilled songwriting, energetic performances, engaging persona, and endless creativity. So, are fans supposed to expect a surprise drop of the entire “1989” album, possibly even before “Red?” If so, which re-recording era is Swift even in? But the single was dropped with no additional information on “1989 (Taylor’s Version).” Indeed, the next re-recorded album slated to be released isn’t “1989” but “Red (Taylor’s Version)” on Nov. Indeed, Swift’s recent arrival on TikTok signifies the first time in years she has participated so frequently on social media early fans will remember the days of her fun, fan-friendly hyperactivity on Instagram and Tumblr. On her TikTok that includes a snippet of her re-imagined version, the caption reads: “Someone said slow zoom makes you look like the main character I said make it Taylor’s Version pls.” Later that day, she posted again, this time participating in the trend, self-aware of the incredulous surprise of the single’s release. 17, Swift unexpectedly released her re-recording of “Wildest Dreams,” the dreamy synth-pop ultra-hit originally from her 2015 album “1989.” She seemingly dropped it in response to the “slow zoom” trend going around on TikTok, which uses the original version of the song. Swifties, what era is Taylor Swift even in? No, really?! On Sept.
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